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剧情介绍

TwodifferencesbetweenthisAustrianversionandthegenerallyavailableAmericanversionareimmediatelyobvioustheydifferbothintheirlengthandinthelanguageoftheintertitles.TheAmericanversionisonly1,883metreslong-at18framespersecondadifferenceofsome7minutestotheAustrianversionwith2,045metres.Whereasweoriginallypresumedonlyanegligibledifference,resultingfromthevaryinglengthoftheintertitles,adirectcomparisonhasneverthelessshownthattheAustrianversiondiffersfromtheAmericanversionbothinthemontageandinthedurationofindividualscenes.YethowcouldithappenthatthelaterregionaldistributionofacanonicalUSsilentfilmwaslongerthantheoriginalversion  TheprevalentAmericanversionofBlindHusbandsdoesnotcorrespondtotheversionshownatthepremiereof1919.Thislittle-knownfactwasalreadypublishedbyRichardKoszarskiin1983.Thefilmwasre-releasedbyUniversalPicturesin1924,inaversionthatwas1,365feet(416metres)shorter.At18framespersecond,thisamountstoatimedifferenceof20minutes!Titleswerealtered,snippetsofactionremovedandatleastonemajorscenetakenoutentirely,wherevonSteubenandMargaretvisitasmalllocalchapel.(Koszarski)  FromthepresentstateofresearchwecanassumethatalltheknownAmericancopiesofthefilmderivefromthisshortenedre-releaseversion,acopyofwhichUniversaldonatedtotheMuseumofModernArtin1941.AccordingtoKoszarskitheoriginalnegativeofthefilmwasdestroyedsometimebetween1956and1961andhasthereforebeenirretrievablylost.ThisinformationcastsaninterestinglightontheAustrianversion,whichcanbedatedtotheperiodbetweenthesummerof1921andthewinterof1922.Furthermore,thecopyissome200metreslongerthantheUSversionof1924.IfonefollowsthedetailsgivenbyRichardKoszarskiandArthurLennig,thismeansthat,asfarasbothitsdateanditslengthareconcerned,theAustrianversionliesalmostexactlyinthemiddlebetweenthe(lost)versionshownatthepremiereandthere-releasedone.Alargepartoftheadditionallengthofthefilmcanbetracedtocutsthatweremadetothe1924versioninalmosteveryshot.Koszarskidescribeshowthebeginningandtheendofscenesweretrimmed,inordertospeedupthefilm.However,moreexcitingwasthediscoverythattheAustrianversioncontainsshotsthataremissingintheAmericanone-shotscountershots,intertitles-andfurthermoreshowsdifferencesinitsmontage(i.e.theplacingoftheindividualshotswithinasequence).AllthisindicatesthatDieRachederBergeconstitutestheoldestandmostcompletelypreservedmaterialofthefilm.

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影迷讨论

  • 带子狼

     2020-01-15 12:05:27
    一个被丈夫忽视得妻子,浪荡之徒看到可乘之机想要乘虚而入,这次批判的是丈夫们,颇有些醒世预言的意思。施特罗海姆对情感的细腻表达和事无巨细的细节要求已是很多导演无法达到了,他开始导演的第一部电影,很多镜头的拍摄都比较超前,光是这个包涵丰富的细节和情感转折的剧本就是很多导演所比不得
  • Connie

     2006-09-12 00:36:13
    難過就不值得了...男人哪有不自私....
  • L

     2012-09-10 18:24:52
    牛大了
  • chan

     2014-07-27 18:45:56
    导演给予那些被丈夫冷落的妻子们以极大的关怀,军官的淫斜小人形象是三年后《愚妻》中大恶人的雏形,斯特劳亨对上层阶级的罪恶控诉初显于处女作,在后者更是在《贪婪》中得到了大程度的展现。
  • bardoffen

    北京 2024-03-23 22:03:01
    "In the Alps there is no sin."很可惜,片子的基调还是there is great sin.Stroheim扮演的角色真有意思,他像是一个穿着军装的coser(尤其和后面出现的真正军人气质对比),让我想到一个日本电影的名字:sex hunter(性狩人)——他和“盲目的丈夫”有何区别呢,丈夫将病人与山岳视作pinnacle、Stroheim将Wine, Woman and Song视作pinnacle。他甚至比丈夫还更有人味一些(那位hairy guy阿尔卑

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